Picc/alto/bass
This technique can be used on all flutes.
Composers
Level:
General: | Becomes more difficult: | |
This technique is easy to realize as a seperate technique. | If alternated with regular sound very quickly. |
Notes:
The fingerings that are to be used for playing bamboo tones are not very common for most flutists. Therefor please notate the fingering above the note in the score.
Repertoire
Composer: | Title: | Album: | Publisher: | Other techniques: | |||
Gottsche-Niessner, Friedgund | *1954 | Nachtfaltergedanken | Flute solo | 3 | Zimmermann (ZM 34960) |
Harmonics, Wind tones, Slap tongue | |
Offermans, Wil | *1957 | Drigo’s dream | Flute, piano | 3 | Zimmermann (ZM 34510) |
Multiphonics, Harmonics, Wind tones, Sing & play, Keyclicks, Glissando/tonebending | |
Offermans, Wil | *1957 | Honami | Flute solo | 3 | Zimmermann (ZM 30730) |
Whistle tones, Multiphonics, Wind tones, Sing & play, Flatterzunge | |
Offermans, Wil | *1957 | Studie no. 4: Bamboo tones | For the contemporary flutist | Flute solo | 3 | Zimmermann (ZM 29700) |
Wind tones |
Offermans, Wil | *1957 | Working song 2 | Flute Update | Flute, woodsaw |
3 | Walter Wretschitsch & Universität für Musik und darstellende Kunst Wien | Harmonics, Sing &play |
Offermans, Wil | *1957 | Just a short version | 2 Flutes, piccolo, altoflute |
3 | Zimmermann (ZM 2988) |
Multiphonics, Harmonics, Wind tones, Flatterzunge, Glissando/tonebending |
Books:
Author: | Title: | Publisher: | Other techniques: |
Dick, Robert | Tone development through extended techniques | Multiple Breath Music Company | Whistletones, Multiphonics, Harmonics, Sing & play |